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Ethnomusicology, Migration, and Anti-Migrant Politics
 
Introduced by the journal Ethnomusicology Forum in 2025 to gather short pieces (maximum 2,500 words) on topics of timely relevance to the ethnomusicological community, the Editors Forum returns in 2026 with a focus on ethnomusicological engagements with contemporary migration. The editors invite contributions that examine how migration—in its many forms—shapes musical worlds, creative and cultural labour, ethnographic practice, and the circulation of sound, as well as the everyday lives of musicians and audiences. At the same time, we welcome work that addresses the conditions under which migration unfolds, including contemporary regimes of exclusion and anti-migrant politics that increasingly structure movement, belonging, and cultural life. Contributors are encouraged to consider the aesthetic, ethical, political, and methodological implications of a moment in which intensified hostility and forms of violence toward migrants, refugees, displaced and stateless peoples, and those marked as ‘out of place’ are part of the contexts in which musical practice and ethnomusicological work take place.
 
Submissions may take the form of essays, think pieces, position papers, or other experimental modes of writing. We especially welcome contributions from early career scholars, musicians, artists, activists, and public scholars, and from authors working outside the UK and the US.
 
Possible topics include (but are not limited to):
 
  • Migration and its role in contemporary musical life;
  • Music-making in contexts shaped by anti-migrant rhetoric, policy, policing, and border regimes;
  • Migrant, refugee, and diasporic musical practices under conditions of surveillance, precarity, or forced (im)mobility;
  • The role of music in movements resisting deportation, detention, and exclusion;
  • Migration and history—migration as a mode of analysis in historical ethnomusicology and global music history;
  • Musical worlds (re)constituted in contexts of displacement;
  • Music-making in humanitarian, carceral, and border-zone settings;
  • Nationalism, nativism, and sonic constructions of ‘the foreign’;
  • Ethnomusicology and the politics of documentation, legality, and asylum;
  • The politics of migrant musical appropriation, and/or migrant musics as sites of sociopolitical contestation;
  • Heritage, cultural policy, and the categorisation of migrant musics;
  • The role of musical categories (e.g., ‘traditional,’ ‘authentic,’ ‘national,’ ‘foreign’) in marking migrant musics as external, peripheral, or non-belonging;
  • The reanimation of a ‘new orientalism’ through contemporary forms of exoticisation, including the recasting of migration as spectacle across cultural, media, and academic representations;
  • Pedagogical, ethical, and methodological challenges of doing ethnomusicology in a climate of hostility toward migrants;
  • Digital platforms, media ecosystems, and the amplification or contestation of anti-migrant sentiment;
  • Postmigration musical lives;
  • Sonic practices rendered impossible in contexts of migration;
  • Restrictions on circulation and the uneven passage of music across political and territorial boundaries;
  • Music as trace in contexts marked by migration and its afterlives.
 
Interested authors should submit a 300–400-word abstract and a 75-word biography by Friday 8 May 2026 to: efeditorbatbfe.org.uk

 
Timeline
  • Friday 8 May 2026: Abstract and bio due
  • Friday 22 May 2026: Preliminary decision communicated to authors
  • Friday 24 July 2026: Full submissions due
  • Friday 7 August 2026: Final decision communicated to authors
  • Late 2026: Publication
We are thrilled to announce that BFE member and former Chair Dr Carole Pegg has been invited to speak in the prestigious Darwin lecture series this year. The theme of the series is 'Song', and Carole's own lecture is “Throat-singing: Body, Spirit, Pathways, Place".
 
Lady Mitchell Hall is on the edge of the Sigwick Site (Sedgwick Avenue) in Cambridge and has the feel of a small theatre. The series attracts University members and the general public, so all are welcome. There will afterwards be a Cambridge University Press volume of all the lectures in the series and each will also appear on You Tube. Congratulations, Carole!
 

Several BFE members and former members shared receipt of the Society for Ethnomusicology’s 2025 Ellen Koskoff Edited Volume Prize, co-awarded recently to Jonathan Stock and Beverley Diamond, eds., The Routledge Companion to Ethics and Research in Ethnomusicology. The prize "honors each year a book collection of ethnomusicological essays of exceptional merit". https://www.ethnomusicology.org/page/KoskoffPrize.

 

Other than the two co-editors, former and current BFE members whose essays are in the collection include Martin Stokes, Kathleen van Buren, Ioannis Tsioulakis, Perminus Matiure, Razia Sultanova, and Simon McKerrell. 

 

We are thrilled to announce that BFE member Professor Katherine Butler Schofield is the 2025 recipient of the American Musicological Society’s prestigious Otto Kinkeldey Award for her book Music and Musicians in Late Mughal India: Histories of the Ephemeral, 1748–1858 (Cambridge University Press, 2024).

The Otto Kinkeldey Award is presented annually to "honour a musicological book of exceptional merit published by a scholar who is past the early stages of their career". Past recipients of the award include Susan McClary, Richard Taruskin, Martha Feldman and Katharine Ellis. This is the first time since 1993 that the award has been presented for research on music outside Europe or North America.
 

Professor Schofield’s book presents the first history of music and musicians in late Mughal India c.1748–1858 and takes the lives of nine musicians as entry points into six prominent types of writing on music in Persian, Brajbhasha, Urdu and English, moving from Delhi to Lucknow, Hyderabad, Jaipur and among the British. It shows how a key Mughal cultural field responded to the political, economic and social upheaval of the transition to British rule, while addressing a central philosophical question: can we ever recapture the ephemeral experience of music once the performance is over? These rich, diverse sources shine new light on the wider historical processes of this pivotal transitional period, and provide a new history of music, musicians and their audiences during the precise period in which North Indian classical music coalesced in its modern form. 

The American Musicological Society has shared the following citation for Professor Schofield’s award-winning work: 

"Based on exhaustive archival research and demonstrating the author’s astonishing linguistic and historical expertise, the book tells the little-known stories of nine Hindustani musicians in the fraught years of late Mughal India. Staged between a waning musical culture of classical court music and the dislocations of an encroaching British rule only slowly coming into view, a series of poignant stories unfold telling of court intrigues, musical rivalries, and colonial usurpation. But there are also heartening stories of heroic efforts by Hindustani musicians to remember, record, and memorialize the history of their musical legacy, to codify and theorize their musical practice reconceived for a new era." 

Katherine Butler Schofield is Professor of South Asian Music and History and Head of the Department of Music at King’s College London. A Fellow of the Royal Asiatic and Royal Historical Societies, and a recipient of major grants from the European Research Council and the British Academy, Professor Schofield draws on Persian, Hindi, English and visual sources to tell stories about musical lives in early modern and colonial India. Her latest book, Music and Musicians in Late Mughal India: Histories of the Ephemeral, 1748–1858, was described as a “masterpiece” by William Dalrymple, is winner of the 2025 Otto Kinkeldey Award of the American Musicological Society, and was one of three finalists for the 2025 Association of American Publishers Prose Award (Music Category).

 

Huge thanks to BFE members Rachel Harris and Hwee San Tan for authoring a wonderfully moving obituary for our dear departed friend and mentor David Hughes, who passed earlier this year. You can read the piece on our 'In Memoriam' page. We miss you David, thank you so much for everything you've done for the BFE! Huge thanks and gratitude also to David's wife Gina Barnes, for her strength and resilience (and for supplying this wonderful image of David playing binzasara).

We are proud to announce that the 2025 BFE-RAI Ethnomusicology Film Award has been awarded to the 2023 film 'Beyond Tradition: Power of Natural Voices', directed by BFE Committee member Dr Lea Hagmann and Rahel von Gunten.

Huge congratulations, Lea and Rahul! Read more about their wonderful film here.