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We are thrilled to announce that BFE's Outreach Officer Dr Lea Hagman is co-organising an international conference with the theme "Narrating Musicologies: Reviewing the History/Histories of Musicology". This four-day interdisciplinary conference will take place from October 1st-4th 2020 at the University of Bern, which will be celebrating the centenary of its distinguished Institute of Musicology. BFE member Prof. Dr. Britta Sweers is also a member of the conference organising committee, and BFE Chair Dr Simon McKerrell will be the keynote speaker.
The conference will take in Bern, the beautiful and historic federal city and de facto capital of Switzerland, which overlooks both the Swiss Alps and the river Aare and whose historic old town became a UNESCO World Heritage Site in 1983. For further information, including details of the now-active Call For Papers (deadline for submissions 1st February 2020), please click on this link to the conference website.
13 Sep 2019
The British Forum for Ethnomusicology invites nominations for the BFE Early Career Prize, which will be awarded biennially for a distinguished article written by a BFE member who is in the early stages of their career. For more information on this new prize and how to submit nominations, click here.
4 Sep 2019
We are thrilled to announce that Dr Raquel Campos has taken up the new position of BFE Membership Administrator! We offer double congratulations to Raquel, who also passed her PhD viva earlier in the year, and we are very much looking forward to working with her in the future. All BFE membership queries can be directed to Raquel via the membership[at]bfe.org.uk email address.
13 Aug 2019
We have just announced our call for the 2020 BFE Book Prize! Further details about the prize and how to submit can be found on our website here: https://bfe.org.uk/british-forum-ethnomusicology-book-prize
We are delighted to announce that BFE member Philip Alexander has been awarded a three-year British Academy Early Career Researcher Fellowship! The new project is called 'Foreign Sounds: Musical Life in Jewish Scotland, 1880-1950', and Phil will be based at the University of Glasgow for his fellowship. This project builds on postdoctoral work tht Phil did as part of an Edinburgh-Glasgow AHRC project called 'Jewish Lives,Scottish Spaces', looking at historical Jewish migration to Scotland. This Fellowship will focus specifically on music and will involve working closely with the Scottish Jewish Archive Centre, based at Garnethill Synagogue. Huge congratulations to our Phil!
We are enormously proud and thrilled to announce that the upcoming 5th International Bagpipe Conference will take place at Harvard University from 13th to 15th March 2020! The International Bagpipe Organisation (IBO) was founded in 2012 by IBO Director and BFE member Cassandre Balosso-Bardin, who is also Lecturer in Music at the University of LIncoln and an expert pipe player. Huge congratulations Cassandre!
The IBO has created a platform where bagpipe studies and music can be shared on an international level. Academic and non-academic studies of bagpipes have been carried out in many different parts of the world but the knowledge is often constrained to a geographical area. The IBO, with the organisation of a biennal International Bagpipe Conference, wishes to remedy this and bring the study of bagpipes to the world.
The International Bagpipe Organisation presents the
FIFTH INTERNATIONAL BAGPIPE CONFERENCE
13-15 March 2020
Harvard University, Boston, USA
CALL FOR PAPERS
Bagpipes and Diaspora
Abstract submission deadline: 15 September 2019
Abstract acceptance notification: 15 October 2019
Abstract length: 250 words
The International Bagpipe Organisation warmly invites you to participate in the Fifth International Bagpipe Conference (IBC) to mark International Bagpipe Day 2020 (10 March), a celebration of the world’s diverse bagpipes and bagpiping traditions. The conference will spread over three days, starting on Friday evening with an opening concert and ending on Sunday afternoon. The conference will be held over a range of venues in Boston, USA. The Friday evening concert and the Saturday conference will be held at Harvard University. Social events on Saturday evening and Sunday all day will be held in Boston.
The conference is a productive and welcoming platform for all people interested in the study of bagpipes: musicologists, ethnomusicologists, music experts, instrument makers, folk musicians, dancers and music lovers. This event is an exciting interdisciplinary opportunity to debate various questions relating to the study of bagpipes both today and historically. All are welcome, whether you choose to present or simply listen and enjoy the atmosphere. The IBCs are friendly events, open to all, promoting bagpipes from all around the world.
In 2020, we will take the conference to the United States where we will explore bagpipes in diasporic communities. Indeed, in line with the anniversary of the arrival of the Mayflower and the founding of Plymouth Colony in Massachusetts, we will be looking at how pipers from around the world have spread their customs and music all around the world, helping sustain communities or forging new identities far away from home. Presenters from the U.S. and from the rest of the world are welcome to present on themes directly linked to bagpipes.
Papers touching on topics linked to migration, identity, community and diaspora, both within the U.S. and in the rest of the world are specifically welcome. Papers touching on other themes such as organology, playing techniques, ornamentation, history, iconography, instrument making, recordings, archiving, collecting, composing will also be considered.
Interested participants are to submit a paper title, an abstract of no more than 250 words complete with an institutional affiliation or profession and contact details by 15 September 2019 to internationalbagpipeorggmail.com.
Due to a large amount of applications the previous years, abstracts from people who are applying for the first time or who did not present in 2018 will be prioritised. This is to encourage a wider scope of presenters. We do, however, encourage everyone to attend the conference, regardless of whether you are presenting or not.
Successful applicants will be notified by 15 October 2019.
Dr Panayotis League (Florida State University)
Roger Landes (Texas Tech University)
Dr Cassandre Balosso-Bardin (University of Lincoln, UK)
For more information or details about past conferences, including abstracts of past papers, please browse our website.
Friday 13 March 2020 – evening concert
Paine Hall, Harvard University
Bagpipes of the World
Saturday 14 March 2020 – conference day
Paine Hall, Harvard University
International Bagpipe Conference
Saturday 14 March 2020 – evening session
Bring your own bagpipe – curated session
Sunday 15 March 2020 – day
Keep an eye out on our website for activities on Sunday 15 March!
IBC Local organising committee
For more information or details about past conferences, including abstracts of past papers, please visit www.internationalbagpipeorganisation.com
BFE member and 2019 BFE Fieldwork Award winner Chrysi Kyratsou has been awarded a 30-month PhD studentship (October 2019 - March 2022) by the Northern Bridge Doctoral Training Partnership (NBDTP). Huge congratulations to Chrysi!
The studentship has been awarded for her research project entitled “Refugees’ musicking: meanings and encounters in Greek reception centres”. This project will be conducted in refugee reception centres in Athens, Greece. It explores the meanings embedded in certain musical practices, as well as the various encounters that may take place within this context. Focusing on musicking, Chrysi explores the ways that refugees’ aesthetic agencies are informed by their shifting backgrounds in which they live and how they shape their sociality. The project aims to provide insights in the refugees’ interactions and shaping relationships around various forms of musicking with refugees of different cultural background, as well as between them and people from the host society (present and active in reception centres, as volunteers, teachers, etc.), and figure out the potential for multiple inclusions that participation in musicking may entail. We look forward very much to hearing more about Chrysi's research in the future!
Dr Simon McKerrell
(Chair, British Forum for Ethnomusicology)