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A Letter from Calais

Last week Rachel Beckles Willson (Royal Holloway) travelled to Calais. The visit was an extension of her work with refugees in London (a non-musical concern); but it connected with her earlier research on musical missions to Palestine, as well as her current research on the oud.

BFE Student Paper Prize 2014

On behalf of the BFE committee, I extend my warm congratulations to Jennifer McCallum (PhD candidate, King's College, London), winner of the BFE Student Paper Prize for our 2014 annual conference at SOAS (held jointly with AAWM).

The prize committee stated:

This year there were several outstanding papers by BFE student members. For the first time, therefore, we are giving two honourable mentions in addition to the winning paper. All three papers draw on a good range of theoretical and background sources, often a challenge in short conference papers.

BFE and SFE 2015 CFP

The Société Française d’Ethnomusicologie (SFE) and the British Forum for Ethnomusicology (BFE) invite abstracts for our joint conference in Paris, 2-5 July 2015.

In recognition that this will be the first joint meeting of the two institutions (and the first time the BFE will be holding its annual meeting outside the United Kingdom) we have chosen the theme

Border Crossings/Boundary Maintenance

 

The theme identifies several areas of scholarly reflection and inquiry to be undertaken. For contemporary ethnomusicologists, ‘boundaries’ invoke a myriad of solid, porous and imagined lines to be negotiated, crossed, or dissolved. On the one hand, they suggest the national, legal and political borders – and the cultural and linguistic differences – that once largely determined our notions of Self and Other. On the other hand, they bring to mind the abstract binaries that shaped comparative musicology and early ethnomusicology, such as Western/non-Western, past/present, sacred/secular, rural/urban, traditional/modern, oral/written, and female/male.

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