The British Forum for Ethnomusicology Early Career Prize is awarded biennially for a distinguished article or book chapter solely written by a BFE member in the early stages of their career. Articles/book chapters should be in English and be published in a peer-reviewed academic journal or edited collection between 16 December 2021 and 31 December 2023. Authors must be BFE members at the time of submission. (BFE membership corresponds with the calendar year.) Only one individually authored article OR book chapter can be submitted per nominee.

In terms of eligibility, the BFE has adapted the Arts & Humanities Research Council’s definition of an early career researcher as an individual who is EITHER: within eight years of their PhD viva/defence or completing an equivalent professional training; OR within six years of their first full- or part-time research and/or teaching appointment. The above time restrictions can exclude any period of career break for family care or health reasons.

Self-nominations are encouraged, but others can also nominate an author for the prize. Please ensure however that nominees are fully eligible, both with respect to BFE membership and early career status, and that they have not already nominated themselves.

Nominations should be accompanied by the article/book chapter and an abstract, as well as a CV or other piece of evidence that proves eligibility. These documents must be submitted electronically in pdf format to the Prizes Officer, Amanda Villepastour (VillepastourAVCardiff.ac.uk). Any queries about the prize can also be sent to this email address.

All submissions must be received by Monday 26 February 2024 and the outcome will be announced in summer 2024. The prize winner will be invited to deliver a keynote lecture at the annual BFE-RMA Research Students’ Conference in January 2025.

Deadline for Expressions of Interest: 1^st March 2024

The British Forum for Ethnomusicology seeks expressions of interest for the election of a conference liaison on the BFE Executive Committee. This is to replace the outgoing conference liaison from April 2024.

It is vital for the future of the BFE that we have a strong Committee so please do consider nominating yourself. We are looking for committed committee members who will make an important contribution to the day-to-day running and future development of the BFE. In line with our equality ambitions as a subject association, we welcome nominations that will help the Committee reflect the diversity of our membership and discipline.

General responsibilities of committee members include:

• attending 2-3 BFE Committee meetings each year
• engaging proactively in BFE business
• contributing creatively to BFE strategies and initiatives
• engaging in regular email communication with the Committee
• writing short reports on BFE activities for the annual Chair’s Report
• participating, when necessary, in working groups on specific BFE tasks

Specific Roles for the Conference Liaison

• Serving on the local arrangements committees for the BFE’s annual and autumn conferences, as well as other events/study days run by the BFE or in collaboration with other organisations.
• Being the first point of contact for any matters relating to BFE conferences and events.
• Representing the BFE at the January BFE–RMA Research Students’ Conference, at meetings of the RMA Flagship Conferences Subcommittee (2 or 3 per year), and through regular correspondence with the RMA and other subject associations (e.g., SEM, Analytical Approaches to World Music, Société Française d’Ethnomusicologie).
• Providing oral reports on conference activities at BFE committee meetings.

Expressions of interest should include the following:

• A CV
• A 300 word statement detailing your relevant experience and skills for the role

Expressions of interest should be sent to Matthew Machin-Autenrieth (matthew.machin-autenriethabdn.ac.uk ()) and copied to Morgan Davis (adminbfe.org.uk ()) by 1^st March 2024. 

BFE member Razia Sultanova is delighted to announce the publication of a new book "Afghanistan Dispossessed: Women, Culture and the Taliban" (Pen & Sword History, 2023). This the most recent ethnographic research, coupled with deep fieldwork, extensive eye-witness accounts, and personal conversations with a diverse range of Afghan men and women, tackles fundamental questions of gender, identity, nation, tradition, history, popular culture, and notably, the pivotal role of music—ranging from classical to popular, modern, and contemporary—as a vital element for survival. However, this narrative is overshadowed by the return of the Taliban, with an ongoing threat of terror and repression, especially for women and girls. It unfolds as a classical story of a people's struggle for everyday normality and the preservation of cherished traditions in a war-torn society.

Jonathan Stock is delighted to announce publication of a new book, The Oxford Handbook of Music in China and the Chinese Diaspora (New York: Oxford, 2023). It’s a set of 24 innovative essays by an international team of contributors, each of which advances new knowledge and understandings on Chinese music studies through new research and by developing fresh theoretical models and perspectives into key musical genres and contexts. The largest single-volume book on Chinese musical cultures in English to date, it was co-edited with Professor Yu Hui (Yunnan University) and represents a unique cooperative approach that strongly features authors from China, Taiwan, Hong Kong and diasporic Chinese communities worldwide.