BFE members, if you have news to share, please see post news link under menu members section.
Older news are in news archive.
23 Nov 2018
We are delighted to share the news that BFE Member Dr. Moshe Morad and Dr. Amalia Ran’s edited volume “Mazal Tov Amigos! Jews and Popular Music in the Americas”, has won at SEM this year’s inaugural Jewish Music Special Interest Group Paper Prize. Addressing the winners, Prof. Michael Figueroa, Associate Director, Carolina Center for Jewish Studies University of North Carolina at Chapel Hill has announced:
“The award committee felt that your work deserved the prize for a number of reasons, not least because of the many ways it pushes the field of Jewish music studies to engage with the conceptual frameworks offered by hemispheric studies. The diversity of case studies and scholarly voices included in the book are especially notable. We are grateful for your contribution to Jewish music studies. Thank you for sharing your intellectual and your label with the Jewish music studies community.”
Dr. Michael Figouera presenting the Jewish Music Studies SIG award to Dr. Moshe Morad at SEM 2018 in Albuquerque.
16 Nov 2018
Following an Open Call for applications, the BFE is delighted to announce that Dr Henry Stobart will become the new co-editor for our flagship academic journal Ethnomusicology Forum (EF), which is published by Taylor & Francis. Henry will work alongside co-editor Dr Shzr Ee Tan, and he has released the following statement about his incoming editorship:
“I will be delighted to replace Abigail Wood in 2019 as co-editor, together with Shzr Ee Tan, of Ethnomusicology Forum. My connection with this very fine journal goes back a long way. It was in 1994 that my first ever journal article was published in the third issue of the British Journal of Ethnomusicology. In those days, only a single issue of the journal was published each year. In 2004 the journal was renamed Ethnomusicology Forum, and two issues began to be published annually (rising to three in 2008). This reflected the journal’s increasing global reach, alongside the dramatic expansion of ethnomusicology in the UK. Such growth in the journal’s frequency is, admittedly, daunting from an incoming editor’s perspective, as is the long line of excellent and often very innovative former editors. But the progressive and interdisciplinary approach of the journal is also inspiring, and a tradition to which I look forward to contributing. The ‘ethnomusicology’ in its title (despite, or maybe because of, all the problems surrounding this term) continues to challenge us and make this an ongoing project. This is an area of scholarship in which we cannot possibly sit back smugly and feel we have constructed a safe and secure disciplinary citadel, or have the possibility of some kind of analytical closure. Looked at another way, maybe we are just engaging with what goes on in the broader world around us, and inevitably this will continue to keep us on our toes…
“My former editing and co-editing experience is mainly with books. This includes the interdisciplinary volume Sound (Cambridge University Press, 2000) edited with Patricia Kruth, and the collection Knowledge and Learning in the Andes: ethnographic perspectives (Liverpool University Press, 2002) with Rosaleen Howard. More familiar to ethnomusicologists are probably my edited volume The New (Ethno)musicologies (Scarecrow, 2008), and the recent volume Music, Indigeneity, Digital Media (University of Rochester Press, 2017), edited with Thomas Hilder and Shzr Ee Tan. I’m also currently guest editor, together with Michelle Bigenho and Richard Mújica, of a special issue of the online journal Transcultural Music Review, focused on heritage making in Latin America. This journal, which includes articles in English, Spanish and Portuguese, which has covered many very interesting and critically engaged themes is often surprising unfamiliar in Anglophone circles.”
Henry will take up the editorial post in January 2019 when the current co-editor, Dr Abigail Wood, completes her term of office. The BFE would like to publicly thank Abigail for her tremendous work on the journal over the past three years, and we send her our very best wishes in all future endeavours. Article submissions to Ethnomusicology Forum can be made via the journal website: https://www.tandfonline.com/toc/remf20/current
Members of the BFE will be delighted to know that one of our members, Dr Stephen Millar has been showcased on the Leverhulme website for his Early Career Fellowship at Cardiff with Prof. John Morgan O’Connell. It is great to see ethnomusicology receiving high quality research funding from as prestigious a UK funder as Leverhulme. If any other members have similar news stories please get in touch to let others know at chairbfe.org.uk.
1 Nov 2018
We are pleased to announce the opening of the 2019 BFE Fieldwork Grants scheme (open from 1st Nov). The BFE Fieldwork Grants are intended to support doctoral candidates conducting ethnomusicological field research in the UK and abroad through making a contribution towards the costs of travel and subsistence. Up to 3 grants collectively totalling up to £1500 will be awarded for the 2019 scheme. For further details on the award and guidance on how to apply, please visit the BFE Fieldwork Grants Scheme page of the BFE website. Good luck!
22 Aug 2018
The draft programme for the BFE One-Day Conference 2018 at Keele University is now available to view and download from the BFE website conference page (here) and from the BFE One-Day Conference 2018 website (here). Registration is open, and bookings can be made through the Keele University website estore using the link provided below:
We look forward to welcoming you to Keele!
The Call for Proposals for the upcoming 2019 BFE / RMA Research Students’ Conference, which will be hosted by the University of Sheffield, is now available. Click on the following link to the conference web page for further details:
The BFE / RMA Research Students’ Conference is sponsored jointly by the British Forum for Ethnomusicology and the Royal Musical Association. Open to postgraduates studying in the UK or abroad, the conference provides an opportunity for research students to meet together in a friendly and supportive atmosphere, to gain experience of the conference environment (as listeners, participants, and chairs), to present and to hear papers, to take part in workshops, and to gain insights into the profession. Each year, the programme includes skills training sessions, student papers, composition and performance workshops, concerts, and social events. We hope to see many of you there!
The Call For Papers is now open for the 2018 BFE/RMA Study Day, to be held on 8th December at the University of Oxford. The topic of this conference will be ‘Music and the Internet’. Proposals are invited for papers of 20-minutes, which will each be followed by 10 minutes of discussion. The keynote address will be given by Professor Georgina Born and the day will conclude with a roundtable on digital research methodologies. We particularly welcome papers by graduate students and early career researchers. For more details, click on the following link: https://bfe.org.uk/conf/bferma-study-day-2018-oxford
The Call for Papers is now available for the BFE Annual Conference 2019, to be held at the Elphinstone Institute, University of Aberdeen, Scotland from 11-14 April 2019. Click on the link below to view the CfP:
The 2019 conference theme will be Collaborative Ethnomusicology. As with all BFE Annual Conferences, we welcome papers and panels on any aspect of current ethnomusicological research. DEADLINE FOR SUBMISSIONS IS 14 SEPTEMBER 2018. Successful applicants will be notified in October. Please note that all presenters must be members of the BFE ( https://bfe.org.uk/join-bfe). We look forward to seeing you there!